Brno Book Open vol. II

Brno Book Open vol. II
15. 11. 2023 / 14:00 – 20:00
Dům umění města Brna

Jednodenní knižní festival Brno Book Open se vrací zpět do Domu umění! Druhý ročník opět nabídne prodej a prezentaci knih o umění, architektuře a designu, tentokrát s lehkým zaměřením na knižní ilustraci. Těšit se můžete i na oblíbenou dílnu, přednášky a další doprovodný program.

kdy: středa 15. listopadu 2023 od 14 do 20 hodin
kde: foyer Domu umění a Procházkova síň
událost pořádá: Dům umění města Brna, Galerie TIC a Nakladatelství VUTIUM

Prodávající:

  • Books & Pipes
  • Dům umění města Brna
  • Fait Gallery
  • Host
  • Masarykova univerzita
  • Muzeum města Brna
  • Nakladatelství JAMU
  • Nakladatelství VUTIUM, FaVU VUT
  • Národní památkový ústav
  • Seminář dějin umění FF MU
  • TIC Brno
  • Vašulka Kitchen Brno

DOPROVODNÝ PROGRAM (PROCHÁZKOVA SÍŇ)

1. BLOK

Moderují Jana Kořínková a Marika Kupková

14:20 Pavel Ryška - představení chystané knihy Jaroslav Malák, Háček a čárka
14:40 Jakub Konvica - představení spolupráce s Papírnami Brno a.s., autorské obálky školních sešitů
15:00 Jakub a Šárka Janeba - představení knihy Dějiny hudby: Klasika, oceněné v soutěži Nejkrásnější česká kniha roku 2022
15:20 Ondřej Bodlák - Kreslit historii; představení autorské tvorby

2. BLOK

Moderují Jana Kořínková a Terezie Petišková

17:10 Michal Konečný - představení knihy Apollo a Marsyas: Příběh umění na Moravě
17:30 představení chystané knihy Eva Kmentová
17:40 Marika Svobodová - představení a křest katalogu výstavy Tady a teď!

DOPROVODNÝ PROGRAM (STUDIO)

Burza cenných papírů (14:00 - 20:00)
Jednodenní prodejní výstava volného uskupení autorek a autorů z Fakulty výtvarných umění VUT (FaVU VUT) představí své cenné papíry, a to ve formě zinů, originálních a reprodukovaných ilustrací nebo specifických knižních forem. Zúčastnění:
Ondřej Bodlák, Vojtěch Daniš, Abigél Dérczy, Jaro Krtek, Radana Krausová, Sabina Navrátilová, Barbora Novotná, Richard Haraším, Martin Hudák, Lucie Polášková, Natálie Sodomková, Anežka Součková, Jan Šrámek, Lukáš Tomeček, Štěpánka Trčková, Vojtěch Vaněk

Po celou dobu trvání akce bude v prostoru foyer možnost vyzkoušet si sítotisk pod vedením Brno Tiskne. Bude k zakoupení drobné občerstvení, atmosféru dokreslí živé klavírní vystoupení.

SURVIVAL MANUAL / 8 – 9. 11. 2023

The conference responds to the situation in which artistic communities and the non-established art scene find themselves. It seeks to analyse and evaluate it and, above all, to suggest ways to improve it. Together with the representatives* of art centres, whose activities range from offering spaces to create, to organising cultural programmes, to carrying out residencies. We will explore how their institutions are organised and funded, what they enjoy about their work, what difficulties they face and how they solve them. We are also interested in their opinion and your view on more general topics related to contemporary arts operating. The second part of the event will be dedicated to visits of Brno studios and off/space galleries.
 
The conference is divided into two days (a detailed schedule will be published in the event).
 
Wednesday 8 November, 9.45-18.00: GUEST PRESENTATIONS, DISCUSSIONS AND WORKSHOP
 
Presenters:
AQB, Budapest (HU)
BANSKÁ ST A NICA, Banská Štiavnica (SK)
CSW Wiewiórka, Krakow (PL)
Kalerie s čupr uměním Saigon, Ostrava (CZ)
KRAK, Bihać (BIH)
USF Verftet, Bergen (NO)
Schaumbad, Graz (AU)
Szaber Gallery, Krakow (PL)
 
Moderators: Kateřina Pencová, Piotr Sikora
 
Thursday 9 November, 10.00-15.30: GUIDED WALK
Cejla (Körnerova 9)
Galerie Sibiř a ateliéry Dukelská (Dukelská 50 a 57c)
Industra (Lazaretní 9)
Káznice (Bratislavská 68)
Guidance: Silvie Šeborová
 
The event is primarily addressed to the professional public: artists*, curators*, art theorists*, educators* and colleagues* who are involved in their practice in the field of visual culture, cultural politics or the organisation of cultural events and the background of artistic communities.
 
The communication language of the conference is English.
 
The capacity of the conference is limited. If you are interested in attending, please confirm here: https://forms.gle/UZ9PaA58yJCGabHd7
Registration for the conference is mandatory. If you will be unable to attend, please inform us by email: fajnorova@ticbrno.cz.
 
Cooperation:
Artyčok.tv, Brno University of Technology, Rello Il Torrefattore Roastery
 
The course of the conference will be recorded by Artyčok.tv, after the conference, the Survival Manual will be published with the texts of the guests*.
 
The conference is implemented within the framework of the National Recovery Plan.

Screening: Pan Ovocňák II. + Circle of Blood

Thursday 9/11/2023, 18:00

Mr. Fruitie II., 2022, 85 min.
Markéta Wagnerová and TV Estráda

Mr. Fruitie is a fairy tale about ghosts from the old days. They are having a hard time in the present. The forests are vanishing and there are more and more tourists and human waste. The fairies and leshies are moving to the cities, they become homeless and hunted by the black hunter, a former forest spirit paid by developers to clean up their brownfields. Sylfa and Sudička Obludička summon Mr. Fruitie to help the magical creatures in their hour of need. He tries, not very successfully, to summon a plenum of ghosts and out of desperation even begs for help the human beings. But investigative journalist Bob (TV Estráda), along with amateur witch and writer Kostí69@seznam.cz have their own goals and are more interested in cashing in on their situation than helping the last ghosts. They manage to capture on camera, for example, the Black Baba, the Assface, the Ripper, or even the hunt for the last Beerbug. How will it all turn out? We'll see. Suitable for children aged 12 to 75. 

Circle of Blood, 2023, 22 min.
Markéta Wagnerová, Barbora Kurtinová, Anna Tesařová

Two tourists arrive on a remote island in the north of Iceland.They soon discover that it is inhabited only by birds and members of a mysterious cult.Their fates come together in a circle of blood. 

"þú getur gert hvað sem þú vilt en meiða aldrei fugl"

A film shot on the island of Hrísey.

KOMENTOVANÁ PROHLÍDKA AKTUÁLNÍCH VÝSTAV

úterý 31.10. v 16:00.
Komentovaná prohlídka aktuálních výstav Galerie TIC

Výstavou The most cultivated public toilet v Galerii mladých vás provedou kurátorky a umělkyně Viktória Citráková a Magdalena Šimurdová. V Galerii U Dobrého pastýře výklad povede kurátorka projektu Kůže a masky Ivana Hrončeková a v Galerii Kontext se můžete dočkat propojení všech tří dosavadních částí cyklu Žijeme ve společnosti Jakuba Polácha. Jako bonus můžete navštívit intervenci Jakuba Kovaříka v galerijním Bookshopu.

KŮŽE A MASKY
Jan Boháč, Jan Bražina, András Cséfalvay, Polina Davydenko, Kristýna Hejlová, Dominik Styk, Anna Tesařová
9. 8. – 4. 11. 2023
Galerie U Dobrého pastýře

THE MOST CULTIVATED PUBLIC TOILET
Viktória Citráková, Magdalena Šimurdová
11. 10. – 18. 11. 2023
Galerie mladých

KEEP ON SERVING CVMMUNISM
Jakub Polách
9. 8. – 18. 11. 2023
Galerie Kontext
 
SLAVOJ KOVAŘÍK, FADE OUT
Jakub Kovařík
11. 10. – 18. 11. 2023
Bookshop

B16 – 64th – Off-program Galerie TIC

Off-program made by Galerie TIC for 64th International B16 festival!

Wednesday 18. 11. / 17.00 + 19.00 / BAT CAVE CINEMA #11 / Kino CIT

The first screening of the new academic year, organized by the FaVU Video Studio at Kino CIT at Radnická 4, is prepared for the BRNO16 festival. The films and videos featured in the band will be presented by the students of the studio Robert Kubů, Běla Beránková, Gregor Hraško, Iva Davidová with Anna Ruth, Karolína Beranová and others.

The programme will be published on the IG of the Video Studio and on the social networks of the TIC Gallery and Kino CIT.

Thursday 19. 10. / 19.00 / We Want to Die + Paterns / Káznice, Bratislavská 68

We Want to Die, 2022, 35 min., 16mm
Directed by Jaroslav Tarnovski, Martin Ježek
Music by Jaroslav Tarnovski

A poetic story of a proletarian couple's relationship during the years of economic crisis and unemployment - of all E. F. Burian's film directorial efforts, his last film We Want to Live (1949) is probably the worst. The intention to create a powerful work of cinema that would combine modern means of expression with the ideological canons of socialist realism failed completely. Ježek and Tarnovsky discovered these "ruins" and tried to rebuild on them a structure out of the hopelessness and futility of life. Ježek photochemically transcribed selected passages with the greatest possible degree of humility towards the work of the great avant-gardist, Tarnovski similarly makes the soundtrack visible. The improvised meeting of sound and image in a dialogic mode can bring various misunderstandings resulting in an ambiguous compromise.


Paterns, 2022, 28 min., 60mm 
Directed by Jan Kulka
Music by Ian Mikyska

Paterns are handmade art films created mainly by printing on a 60mm wide film base using a specially developed printing machine. The main aim of the film is to reveal the properties and cinematographic potential of regular shapes and geometric structures under various projection conditions. The birth and decay of the illusion of movement, depth of space and other perceptual phenomena. To glimpse chaos and order through a direct intense live sensory experience, emphasizing the uniqueness of the shared moment of live projection. To awaken these fundamental principles in the form of luminous images on the screen, and to let us experience how stable forms arise from chaotic fluttering, interfering, modulating, intermingling and transforming into various forms before disappearing again. To give a direct experience of chaos, disorder, arising, becoming, arranging and disintegrating. 

As part of the Off-programme, you can also visit the Kino CIT, where a series of videos for the exhibition Skin and Masks will be screened. The tape will be screened in a loop during the opening hours of Galerie TIC.

You can find the whole programme of the festival on www.B16.cz.

Open Call for Gallery mladých 2024

Galerie TIC is announcing an Open Call for exhibition projects for Galerie mladých for 2024.

If you wish to participate, please submit your filled in application along with the description of your project with visual documentation and author portfolio. Send your submission to hovezakova.galerietic@gmail.com until July 16, 2023. The results will be published on the gallery’s web and Facebook page by the end of August 2023 at the latest. Further information about the exhibition catalogue of Galerie mladých with photo documentation and an exhibition archive can be found on www.galerie-tic.cz

 The gallery offers:

 to cover financial costs in regard to the exhibition installation
 an artist/curator fee
 to collect and transport the exhibition
 basic PR (program printed material included)
 Content of application

 application form
 short description (recommended length 1 standard page) and visual documentation of the project
 artist/curatorial portfolio with your CV 

application

Brněnská muzejní noc 2023

Galerie TIC, Kino CIT
Radnická 4
VSTUPNÉ: zdarma
20. 5. 2023
Otevřeno: 18:00 - 24:00 
Poslední vstup: 23:30 

AKTUÁLNÍ VÝSTAVY
• Všade doma, dobře nejlíp / Katarína Hládeková a Václav Magid / Galerie U Dobrého pastýře
• Love rhymes with fuck you / Jan Bražina / Galerie mladých
• Žijeme ve společnosti #2  / Jakub Polách / Galerie Kontext

KINO CIT
18:00—24:00 BAT CAVE CINEMA: SPRING EDITION 2023 / Ateliér FaVU Video 
Promítání v Kině CIT, připravené Ateliérem video FaVU v Brně. Hlavním bodem programu budou projekce bakalářských prací studentů.

Více info bude zveřejněno na instagramových a facebookových stránkách ateliéru.

GALERIJNÍ DVOREK
18:00—23:30 Dvorek, který provozuje kavárna Mitte, bude speciálně otevřený spolu s kavárnou až do půlnoci.

Křest knihy / Black Box Book / Lock down, umělá inteligence a další aktuální výzvy kurátorství

Kino CIT
Galerie TIC
Radnická 4, Brno

18. 4. 2023 / 17:00

Jak se propisují současné krize do prezentace umění? Jak na ně reaguje kurátorská praxe? Jak se v této situaci mění role galerií? A co transformace kulturních obsahů do virtuálního prostoru? Odpovědi na tyto otázky hledá nová kolektivní monografie šestnácti českých a zahraničních autorů a autorek. Kniha Black Box Book, s podtitulem Archives and Curatorship in the Age of Transformation of Art Institutions (Masaryk University Press 2022) nabízí vhled jak do lokálních tak do širších kulturních rámců. Autorský tým zkoumá vyvíjející se topologii online kurátorství a využití umělé inteligence v online kurátorské praxi. Reflektuje při tom vlastní výstavní projekty, přičemž využívá terminologii vyvinutou v rámci teoretické diskuse obklopující online kurátorství, vycházející z teorie digitálních a síťových médií.

Publikace je vyústěním dlouhodobé spolupráce Galerie TIC a Teorie interaktivních médií ÚHV FFMU. Její vydání bylo podpořeno Technologickou agenturou ČR a Ministerstvem kultury České republiky.

Knihu představí její editorky Jana Horáková, Marika Kupková, Monika Szűcsová a grafická designérka Alina Matějová. Publikace je zveřejněna online v režimu open access a psána v angličtině.

HORÁKOVÁ Jana, Marika KUPKOVÁ a Monika SZŰCSOVÁ. The Black Box Book : Archives and Curatorship in the Age of Transformation of Art Institutions. 1., elektronické vydání. Brno: Masaryk University Press, 2022. 421 s. The Black Box, 1. ISBN 978-80-280-0225-1. doi:10.5817/CZ.MUNI.M280-0225-2022.

*Akce je součástí výtvarného festivalu Brno Art Week 2023.

Brno Art Week 2023

Brno Art Week 2023
17. 4. - 23. 4. 2023
 
14. ročník Brno Art Weeku je v dohlednu! 

Co pro vás připravujeme?
  • výstavy, komentované prohlídky
  • konferenci s tématikou galerijní edukace
  • dílny, animace, workshopy a další edukační aktivity v galeriích i ve veřejném prostoru
  • „eskapistické“ procházky s širším společensko-historickým přesahem
  • umělecké intervence do veřejného prostoru, performance
  • koncerty, parties
    ... a mnoho dalšího!

Program a další informace budeme postupně zveřejňovat na našich sociálních sítích a webu, nezapomeňte nás sledovat!

Web: www.brnoartweek.cz
FB: www.facebook.com/brno.art.week
IG: www.instagram.com/brnoartweek 
 

Konference Čerstvý vítr

Konference Čerstvý vítr 
20. 4. - 21. 4 . 2023
Uměleckoprůmyslové muzeum Moravské galerie v Brně
Brno Art Week 2023
 
 
Konference je věnována zprostředkování a popularizaci výtvarného umění. Zaměřuje se na autorské experimenty vybočující z rutiny kulturní produkce. Vystoupí zde autorky a autoři knih, edukačních programů, her, heren a dalších popularizačních forem, kteří dokázali přitažlivě, ale zároveň erudovaně podnítit zájem dětí i dospělých. Vysvětlí nám svoje tvůrčí záměry a přístupy, naznačí i slepé uličky a rizika vlastního snažení.
 
 
Konference je rozdělena do dvou dnů (podrobnější program níže):
 
čtvrtek 20. 4. věnujeme knihám o galeriích a o umění
pátek 21. 4. bude zaměřený na umělce-edukátory a interaktivní zóny
 
 
Akce je určena studentům*tkám oborům řešícím umělecké otázky, účitelům*kám umění a estetické výchovy, pracovníkům*cím v kulturních institucích i lidem z umělecké a uměnovědné scény, kteří ostatně tvoří většinu z přednášejících.
 
 
Konferenci organizuje Galerie TIC a Katedra výtvarné výchovy PdF MU ve spolupráci s Moravskou galerií v Brně.
 
Akce je součástí Brno Art Week 2023.
 
 
Čtvrtek 20. 4. 2023
 
Přednáškový sál Uměleckoprůmyslového muzea Moravské galerie v Brně
 
Umění do každé knihovničky
 
Moderují: Kateřina Minaříková, Silvie Šeborová
 
 
I. blok: Do galerie!
9.15 Ondřej Chrobák: Jak se dělá galerie?
9:45 Patricie Kaválková, Helena Šestáková: Galerie moderního (č)umění
10:15 Monika Kompaníková: Kde je Ester N?
10:45 Ondřej Horák: Proč obrazy nepotřebují názvy
 
 
II. blok: Co s uměním?
11:45 Jitka Handlová: Falza! Na cestě mezi falzem a originálem
12:15 Monika Švec Sybolová: Čapek & Čapek
12:45 Magda Garguláková: To bych zvládl taky: Umění moderny v komiksech
 
 
III. blok: Město, architektura, design a veřejný prostor
14:30 Romana Košutková: Apolenka z modrotisku
15:00 Kateřina Přidalová: Co je vlastně design?
15:30 Karolína Jirkalová: K čemu jsou architekti?
16:15 Osamu Okamura: Město pro každého: manuál urbanisty začátečníka
16:45 Michaela Matysová, Lucie Štůlová Vobořilová: Ahoj socho! Město s otevřenýma očima
 
závěrečná diskuse
 
 
Pátek 21. 4. 2023
 
Přednáškový sál Uměleckoprůmyslového muzea Moravské galerie v Brně
 
Umění do každé hlavy
 
Moderují: Andrea Kaňkovská, Marika Kupková
 
 
I. blok: Artist educator
 
9:15 Kateřina Šedá
9:45 Jasper Alvaer a Isabela Grosseová
10:15 Richard Loskot: Přes stromy nevidím kraj lesa
11:15 Jan Pfeiffer: Střih pro novou dobu
11.45 Hedvika Dalecká, Jana Sedláková: Brčko na drátě
12.15 Vendula Chalánková
 
 
II. blok: Herny a interaktivní zóny
 
14:00 Karin Vratka Militká: GASK Kutná Hora
14:30 Dan Gregor, Silvie Šeborová: Dobrodružství sběratele umění
15:00 Oldřich Bystřický, Barbora Kleinhamplová, Eva Skopalová: Atlas tvorby a laboratoř pro asociativní snění
15.30 David Böhm
závěrečná diskuse
 
 
Změna programu vyhrazena
 
Konference je realizována v rámci Národního plánu obnovy: Podpora projektů kreativního učení, financovaného z prostředků Evropské unie. 

Hra na uši / poslechový večer

Hra na uši
19. 2. 2023 v 18.00
Kino CIT (Radnická 4, Brno)
vstup volný
 
Doprovodná akce k derniéře inscenace Lidé chodí sem a tam 20/2 v 19:30 v OC Dornych.

Poslechový večer v Kině CIT (Galerie TIC), ve kterém zazní mezinárodně oceněná rozhlasová Hra na uši a autorská prezentace jejích tvůrců režiséra Jiřího Adámka Austerlitze a hudebníka, kurátora a audiovizuálního umělce Ladislava Železného.

V autorské prezentaci nechají tvůrci nahlédnout do svých soukromých archivů. Připravili ukázky výtvarných a především hudebních inspirací, které je v posledních letech ovlivnily. Nabídnou také záznam své vlastní experimentace, kterou spolu s dalšími členy tvůrčího týmu inscenace Lidé chodí sem a tam podnikly.

Hra na uši

40 min, produkce Českého rozhlasu, 2019
Abstraktní zvukově-hudební meditace o rozhlasové produkci, tvorbě rozhlasových uměleckých děl a jejich recepci posluchači.
 
Autoři se inspirovali archivem brněnského historika umění, teoretika, výtvarníka a básníka Jiřího Valocha. Valochovy krátké, graficky zpracované písemnosti jsou zřídka delší než několik slov. Zarážející je však jejich filozofický obsah. Všechny se zaměřují na fenomén "slova" jako zvláštní, přísně lidské formy. Austerlitz ve Hře na uši aplikoval Valochovu tvůrčí metodu na fenomén rozhlasového umění a jeho posluchače.
 

 

Nekrologie / komentovaná prohlídka výstavy

Zbyněk Baladrán
Nekrologie
15. 11. 2022 – 11. 2. 2023
Galerie U Dobrého pastýře
kurátorka: Marika Kupková

Komentovaná prohlídka 1. 2. 2023 / 17:30

Komentovaná prohlídka výstavy Zbyňka Baladrána, kterou připravil pro Galerii TIC, upřesní její východiska a naznačí možné výklady. Řeč bude o moci, agresi, manipulaci, jazyku, ale i spekulaci a humoru. Těšíme se na Vás!

CESTY UMĚLECKÉHO VÝZKUMU

25. 1. 2023 / 13 - 17
Kino CIT, TIC Brno, Radnická 4, Brno
 
Jaké jsou přístupy k uměleckému výzkumu v oblasti divadelního umění a kudy se ubírá umělecký výzkum ve výtvarné oblasti? V čem se tyto cesty liší a co mají společného? Odpovědi na tyto otázky budeme hledat na společném kolokviu, jehož cílem je představit vybrané umělecké osobnosti a jejich přístup k uměleckému bádání a otevřít diskusi o tom, jak rozumět uměleckému výzkumu, k čemu nám může sloužit a jaké je jeho možné budoucí směřování.
Představení umělkyň a umělců bude rozděleno do dvou bloků. Na závěr obou prezentačních bloků bude následovat moderovaná diskuse.
V rámci diskuse vystoupí: Jiří Honzírek, Barbora Klímová, Lenka Klodová, Lucia Repašská, Hana Slavíková, Pavel Sterec, Lenka Veselá.
Moderuje: Kateřina Jebavá
 
začátek ve 13.00
Přesný časový plán:
13.00 – 14.20 První prezentační blok
14.20 – 14.40 Přestávka - občerstvení
14.40 – 16.00 Druhý prezentační blok
16.00 – Diskuze
 
Tento výstup vznikl na Divadelní fakultě Janáčkovy akademie múzických umění v rámci projektu Cesty uměleckého výzkumu podpořeného z prostředků účelové podpory na specifický vysokoškolský výzkum, kterou poskytlo MŠMT na rok 2022.

Umění jako práce: co je můj status?

Umění jako práce: co je můj status?

9. 1. 2023 / 17:30 / Galerie TIC

Je umění hobby anebo je to vlastně práce, která má svá specifika? Jak máme v chronicky podfinancované kulturní sféře vlastně tvořit, kurátorovat a psát, když náklady na běžný život stále stoupají?
Ministerstvo kultury ČR aktuálně připravuje definování tzv. statusu umělce a umělkyně, nového zákonného rámce, který by měl umožnit všem pracujícím v kultuře a umění lépe fungovat v nejistém světě. Takzvaný status umělce a umělkyně ještě není pevně ustanoven a stále je možné zapojit se do vyjednávání.
Spolek Skutek a další profesní asociace se do vyjednávání snaží aktivně zapojit například skrze dotazník. Základem pro ukotvení rámce statusu umělce a umělkyně je sběr informací o tom, kdo to vlastně umělecky tvůrčí osoby jsou, co je možné pod tvůrčí činnost zahrnout, jaké mají potřeby a v jaké sociální situaci se nacházejí. Právě tyto otázky se pokusí zodpovědět akce, kterou pořádá časopis Artalk a brněnská pobočka Spolku Skutek.

Vyzvaní umělci a umělkyně představí své (provizorní) odpovědi na výše načrtnuté otázky formou krátkých autorských vstupů.

Pozvání přijali:
* Zbyněk Baladrán
* Polina Davydenko
* Jakub Jansa
* Barbora Klímová
* Max Máslo


Následovat bude stručné shrnutí aktuální situace vyjednávání s MK ČR a moderovaná diskuse s publikem, kterou povede Johana Lomová za Spolek Skutek a Anežka Bartlová za Artalk
> z akce bude pořízen záznam

Brno Book Open vol. I / Jednodenní knižní festival

Jednodenní knižní festival v Domě umění města Brna. Prodej a prezentace knih o umění, architektuře a designu. Debaty, dílny a setkání. Již brzy!


kdy: čtvrtek 8. 12. 2022 od 14:00 do 20:00
kde: foyer a studio Domu umění města Brna
událost pořádá: Dům umění města Brna, Galerie TIC a Nakladatelství VUTIUM


PRODÁVAJÍCÍ:
Dům umění města Brna
Galerie TIC
Nakladatelství VUTIUM, FaVU VUT
Fait Gallery
Moravská galerie
Národní památkový ústav
Seminář dějin umění FF MU
Nakladatelství JAMU
Vašulka Kitchen Brno

 

DOPROVODNÝ PROGRAM
Po celou dobu trvání akce bude v prostoru foyer možnost vyzkoušet si sítotisk pod vedením Brno Tiskne.
Ve studiu Domu umění se budou konat prezentace vybraných publikací a moderovaná diskuze dle tohoto harmonogramu:
 
14:30-15:00
Veronika Jičínská: prezentace knihy BAM. Průvodce architekturou 1945–1989, 2. vydání
 
15:00 - 15:30
Klára Hanáková: prezentace knihy POSPA… životní a umělecká dráha režiséra Zdeňka Pospíšila
 
15:30 - 16:00
Eva Pražanová, Lenka Dolanová: prezentace knihy Milan Langer
 
16:00 - 16:30
Marika Svobodová, Lenka Dolanová: prezentace knihy Jan Ambrůz
Prezentace proběhne za účasti Jana Ambrůze.
 
16:30 - 17:00
Barbora Lungová, Marta Fišerová: prezentace knihy Hledání šlapanické víry
 
17:30 - 18:00
Miloš Vojtěchovský: prezentace knihy Bohuslav Woody Vašulka - Čeleben, básně a prózy z mládí
Knihu společně s editorem pokřtí přátelé Woodyho Vašulky Jiří Vanýsek a Karel Slach. Ukázku z Vašulkovy literární tvorby přečte Ivan Palacký.
 
18:00 - 19:00
moderovaná diskuze Ti, co malují značky. Průvodce, bedekry, atlasy umění a architektury
moderace: Marika Kupková, Jana Kořínková
hosté: Silvie Šeborová, Šimon Kadlčák, Michal Konečný, Veronika Jičínská, Rostislav Koryčánek
 
19:30
společný křest knih Jan Ambrůz, Hledání šlapanické víry a Bohuslav Woody Vašulka – Čeleben, básně a prózy z mládí ve foyer Domu umění města Brna

Zbyněk Baladrán / Nekrologie / dopolední komentovaná prohlídka

Srdečně vás zveme na dopolední komentovanou prohlídku 1. 12. 2022 v 10:00 v Galeriii U Dobrého pastáře.


Zbyněk Baladrán
Nekrologie
Vernisáž 15. 11. 2022 / 18:00
15. 11. 2022 – 11. 2. 2023
Galerie U Dobrého pastýře
kurátorka: Marika Kupková


Výstava NEKROLOGIE propojuje historicko-kulturní odkazy s kontrapunktickými texty, jež parafrázují současný diskurz neoliberální společnosti. Nabízí divákům/čkám možnost obdobné svévole ve skládání, propojování a vynalézání významů.

Open Call for Gallery mladých 2023

Galerie TIC is announcing an Open Call for exhibition projects for Galerie mladých for 2023.

If you wish to participate, please submit your filled in application along with the description of your project with visual documentation and author portfolio. Send your submission to hovezakova.galerietic@gmail.com until July 10, 2022. The results will be published on the gallery’s web and Facebook page by the end of August 2022 at the latest. Further information about the exhibition catalogue of Galerie mladých with photo documentation and an exhibition archive can be found on www.galerie-tic.cz

 The gallery offers:

 to cover financial costs in regard to the exhibition installation
 an artist/curator fee
 to collect and transport the exhibition
 basic PR (program printed material included)
 Content of application

 application form
 short description (recommended length 1 standard page) and visual documentation of the project
 artist/curatorial portfolio with your CV 

application

Brno Museum Night 2022

Galerie TIC
Radnická 4
ENTRANCE: free
21. 5. 2022
opening hours: 18.00–24.00
last entrance: 23.30


 CURRENT EXHIBITION
●       I, too, overflow / Barbora Kleinhamplová along with Mistress Velvet, Goddess Thea, Lucky and Lída / Galerie U Dobrého pastýře
●       Kouzlo nevyřčeného slibu / Tereza Vinklárková / Galerie mladých
●       Kontext_3 / Katarína Klusová / Galerie Kontext


 Additional program:
18.00 – 20.00 Bookshop / Workshop with Katarínou Klusová / Kontex_3 / workshop accompanies the exhibition under the title I, too, overflow by the artist Barbora Kleinhamplová.

18.00 – 23.00 bar in the gallery backyard

20.30 – 22.30 DJ
A stylish oasis in the very heart of Brno is looking forward to your visit with a portion of good music. Our taste buds will be delighted and don’t forget to quench your thirst, too. There will be food, there will be drinks, there will be music.

18.00 – 23.30 CIT Cinema / Bat Cave Cinema
Early evening in CIT Cinema, Radnická 4 – Galerie TIC, prepared by the Video Studio (Brno Faculty of Fine Arts). The program includes special film, video, and projection screenings.

Complete program will be available on our social media.

Brno Art Week 2022

► BRNO ART WEEK. Art festival for anyone who likes living culture.
► For the thirteenth time (!) Brno galleries, museums and schools are joining together to organize an event mapping the Brno art scene. 
►  The program consists of exhibitions, performances, workshops, conferences, guided tours, lectures and other activities intended for the general and artistic public, families with children and school groups.
► Stay tuned!

► 18. – 24. 4. 2022
► Organizers: TIC BRNO and the Department of Art at the Faculty of Education (Masaryk university)
► Financial sponsors: statutory city of Brno and the Ministry of Culture of the Czech Republic
------------------------------
Attention art lovers! BRNO ART WEEK is here again!
► April 18 – 24, 2022

►https://www.instagram.com/brnoartweek/
► Web https://brnoartweek.cz/ 

Brno Art Week: party 2002

21. 4. 2022 / 18:00 - 22:00
Galerie TIC, Radnická 4
ENTRANCE: free 

What were the cultural and social trends of 2002? And what was the art scene dealing with back then? What will this journey through time tell us about the present? Retro party in the TIC backyard on the occasion of visual art festival Brno Art Week. The festival is hosted by TIC Brno and the Department of Art (Faculty of Education) in collaboration with Brno galleries, museums, and universities. The festival program includes exhibitions, performances, workshops, conferences, guided tours, lectures, and other activities oriented both on the art and wider public, families with children and even school groups. The aim of the festival is to develop a long-term relationship with galleries and their visitors and to mediate art through current and attractive forms.

KONTEXT_2: VÍT BOHAL / FROM THE LABYRINTH OF THE WORLD TO POKÉMON GO

Video games, apps, virtual and expanded reality - visual digital technologies became an integral part of our everyday life, creating a modern labyrinth in which we sometimes feel right at home and sometimes more like a bull in a china shop. The underlying logic of the labyrinth’s processes and protocols does not have to be apparent at the first glance and the lecture takes advantage of tools of contemporary philosophy dealing with the topic of virtual affect: procedural rhetoric, ludonarrative dissonance, pokémon GO. Along with Donna Haraway we will ask “what stories create worlds and what worlds create stories” …
// Vít Bohal is a member of the group Diffractions, he is interested in accelerationism, post-humanisms, Prométheisms, and critical theories. //
The lecture is a part of the year-long dramaturgical cycle by the artist, curator and educator Katarína Klusová, which strives to expand upon the topics explored in the current exhibitions in TIC galleries. Vít Bohala’s contribution builds upon concepts formulated in Lukáš Prokop’s installation Oozing Worlds into Being in Galerie mladých. The exhibition is on display until Saturday, 23.4. 2022.
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12. 4. 2022 / 18:30
A lecture (about 50 min) in Czech followed by a discussion. Capacity: 15 people. The lecture takes place at the exhibition of flora and fauna in Moravské zemské muzeum in Zelný trh. Reservation: hovezakova.galerietic@gmail.com
In case you arrive late, call the number 604228817.
Entrance is free. 

I, too, overflow / Barbora Kleinhamplová / Commented tour

24. 3. 2022 / 14:00 / Galerie U Dobrého pastýře

Commented tour of the exhibition by the artist Barbora Kleinhamplová.

Kontext_1: Workshop „ A wee bit of Knowledge”

Workshop „ A wee bit of Knowledge”
Kontext_1
5. 4. 2022 od18:00
Galerie Kontext
curator Katarína Klusová

Another event in the series headed by the artist, curator, and a pedagogue, Katarína Klusová, related to the ongoing exhibitions. The year-round cycle in Galerie Kontext consists of seven realizations in various forms taking place in the niches of the foyer, cinema room, bookshop or directly within the exhibitions contextualizing their themes.

Glitch Bitch / D'epog

Glitch Bitch / D'epog
17. 2. 2022 / 19:30 / Galerie TIC / Galerie U Dobrého pastýře


ERRATA MAGNA
SECOND PART OF A MONODRAMATICAL TRIPTYCH “DIY”
An error as a strategy. Auto-destruction as a way to destroy the enemy. Self-compromising as a victory. Everything is possible. Everything is allowed. Game over. To err is human, after all. A second part of a mono-dramatic triptych DIY. Glitch Bitch is a live video installation that examines the limits of democracy and liberty in our contemporary western society through a media laboratory on the scene. The actress’ interactions with recordings of daily life situations captured by a hidden camera explore the adequate levels of tolerance we show to each other.  
Starring: Janet Prokešová
Director: Lucia Repašská
Video: Tomáš Pavlacký
Camera: Tadeáš D. Plch, Barbora Linková
Installation: Ladislav Mirvald
FOTO
https://goo.gl/l5sSyJ
https://goo.gl/xyxD3F
AUDIO TEASER
http://goo.gl/6V5b5v
INFO
http://bit.ly/2okgFBv
 BLOG
www.depog.tumblr.com
PRESS RELEASE
http://bit.ly/2cous4j
Capacity is limited /// Performance capacity is limited /// Prior reservation required by email: divadlodepog@gmail.com
Door price /// Student 80 CZK /// Adult 180 CZK
Project sponsored by Statutory City of Brno. 

Tea Bags on Eyelids: Jan Tomáš performance

3. 2. 2022 starting at 18:30
Galerie U Dobrého pastýře


We would like to cordially invite you to a live musical performance by Jan Tomáš as a part of an exhibition by Julie Gryboś and Barbora Zentková. The answer to the current culminating crises, be it societal or related personal ones, is the need to slow down and keep calm. The ritual of relaxation is encoded within the installation Tea Bags on Eyelids in Galerie u Dobrého pastýře on multiple levels, especially in the hand-crafted objects. There is a sense of vibration between the escapist relaxation represented by handwork and existential anxiety. It can be seen in the strings of harp screens containing grainy images and heard in the strings of Jan Tomáš’s guitar who composed a musical composition for the installation. Even though the skepticism rising from the crisis is rather serious it is communicated with empathy and gentleness, especially through a palatable and, in fact, quite pleasant melancholy.


Exhibition lasts until 12. 2. 2022.

BODA: Vyplyň v děj v bříškách prstů

Luboš Svoboda, author’s reading
Dernisage of the exhibition cycle App Art
27. 1. 2022 from 18:00
Galerie Kontext


A gathering over lyrical texts that were created under the influence of the digital environment as if it required no adjective. If technologies steal poets’ metaphors, lyric poetry has to be the cutting edge. Sometimes I feel I don’t age, I antiquate. The year-long exhibition cycle App Art in Galerie Kontext focuses on how shared user experience with mobile apps is reflected in production of apps with artistic content. The first exhibition focused on the very essence and character of art media mobile apps, the second explored the phenomenon of selfie-portrait and the third, currently shown, takes a closer look at apps that prominently utilize textual components. When it comes to apps, the textual component is present on multiple levels: From texts for the user, texts related to the app operation and texts hidden from the user that ensure communication between the app and sites and other programs. Another layer transcending the scope of the exhibition concept are texts created based on user experience. Luboš Svoboda is the author of Vypadáme, že máváme (We Look as if We’re Waving) which was nominated for the Jiří Orten Award, he is the head of Lačnit Press publishing house and he is the chief editor of a curatorial platform for contemporary poetry Psí víno (psivino.cz).

NOVÝ PROSTOR. APP

Fasade Galerie TIC
16. 12. 2021 — 14. 1. 2022
NOVÝ PROSTOR. APP
Tomáš Moravanský, Victoria Duryagina, Dominik Hlinka
Fasade Galerie TIC, Radnická 4, Brno
 
BlackBox
#černáskříňka2020
 

Nový prostor (New Space) is a mobile app created by Victoria Duryagina, Dominik Hlinka and Tomáš Moravanský. It uses augmented reality (AR) which allows the user to insert virtual figure of a homeless person into physical space. The app is supposed to provide the user with the experience of “virtue signaling” while maintaining a safe distance and doing so through the camera of their smartphone. At the same time, it fulfills the internal need to call attention to and share social issues (even when they are not present). 

The app is available in the App Store and Google Play for a download by a QR code. Nový prostor is not for everyone and it only works on smartphones that support AR. The user chooses a space where they insert the selected figure using their camera. The selection includes various types of models and figure positions. It is possible to insert as many figures as the user chooses, and they will remain in place until they close the app. It is therefore possible to flood the physical space with virtual content. 

The app also retrospectively converts user’s personal activity to a fictitious monetary value, which is based on the energy usage of a distant server that is used to store the data. In other words, the app calculates how much energy the virtual beggar uses up. Recorded screenshots of these modified places are then uploaded anonymously to a cloud storage and can be then viewed in the archive on the gallery web. It is up to the user how they choose to use the app. It is a virtual intervention into a public and a private space. 

Encounters with real homeless people bring forth emotional reactions (mostly hidden/suppressed) in people who are outside of this social category of invisibles. The figure of a beggar evokes feelings of pity, need to help, guilt, desperation, disregard, indignation, or system inequality. These encounters are mostly accompanied by a degree of fear of a real contact and if possible, we try to avoid them. 

Within the public discourse, and especially on social media, homelessness and other socio-ecological-political issues are in the center of attention in many algorithmically created circles. Heart-breaking posts, liking and following of sensible influencers, a profile picture symbolizing solidarity, signing online petitions often lack real life impact (boost in dopamine aside). This phenomenon and these examples are called virtue signaling or slacktivism. We witness this signaling, we ourselves signal or participate in it on daily, excessive, basis. Engaging in this sort of interpassivity brings the feeling of gratification in terms of social responsibility which allows us to continue consuming “without penalty”. 

The project deliberately employs dark humor, generalization, insensitive content – it accepts them and builds upon them. What is mentioned above does not target marginalized groups, the project is in its moralizing nature turned on its head. It explores limits and possibilities of artistic creation in relation to art activism and responsibility towards the work, the relocation of art institutions to the virtual sphere, gamification of society and collective cynicism as a guilty pleasure. 

Concept and realization: Victoria Duryagina, Dominik Hlinka, Tomáš Moravanský (INSTITUT INSTITUT)

Curating Online - Cultural heritage, creativity and the summer of artificial intelligence. Is everything a remix?

Curating Online - Cultural heritage, creativity and the summer of artificial intelligence. Is everything a remix?

  1. 12. 2021 / 14:00 - 18:00 / HYBRID_

This time the event is also held in person in Vašulka Kitchen Brno (Studio DumB) + with foreign speakers connecting online

International symposium and subsequent debate with experts, academics, curators, and artists who research the potential employment of artificial intelligence (deep learning of artificial neuron sites) for processing and sharing of the content of art collections, for mapping digital culture, and for testing of artificial intelligence as a creative media (art of artificial intelligence / AI art). The goal of the symposium is to examine the current trends in the field of archive processing ‘live archive’, new forms of the concept of ‘artificial art’ (Abraham Moles) and manifestation of ‘remix aesthetics’ (Eduardo Navas) or of ‘crowdsourced beauty’ (Joanna Zylinska) at the time of ‘the summers of artificial intelligence’.

SPEAKERS:

Andreas Sudmann
Emily L. Spratt
Eduardo Navas
Barbora Trnková
TIN Lai Man
Daniel Kvak

Chairwoman of the event: Jana Horáková

The symposium is part of the Media Art Live Archive: Intelligent interface for interactive cultural heritage mediation (MediaArtLiveArchive, TL02000270) co-financed with state support of Technology Agency of the Czech Republic under the ÉTA program.

Více informací:
 

BAT CAVE CINEMA

Afternoon and evening projection prepated by the Video Studio at FaVU (The Faculty of Fine Arts) in Brno. The program includes screenings of films and videos with invited guests. Detailed program is only published on the Video Studio’s social media and on Galerie TIC web on the day of the event.

24. 11. 2021 / Kino Art, Radnická 4, Brno
15:00 / Isaac Godfrey Geoffrey Nabwana & Alan Hofmanis in dialogue with Tamara Spalakovic 
17:00 / projection

Plan – DELTA

Daniela Ponomarevová
Plan – DELTA
curator: Katarína Hládeková
9.12. 2021 v 17:00

A guided tour of the Plan DELTA exhibition with the author and curator. After the guided tour, the film Dune (1984) by David Lynch will be screened in the cinema room. 

Relaxing yoga

Relaxing yoga

21.12. 16.30 in the gallery Bookshop
Class led by: Eirini Kupková
Free entrance
 
Exercise focused on spine stretching and stress relief, especially Christmas related.

Atelier Island

Galerie TIC facade / Black Box
5. 11. —  20. 12. 2021
Atelier Island
Ondřej Homola
curator: Marika Kupková

Facade Galerie TIC, Radnická 4, Brno

BlackBox
#černáskříňka2020

One of the means of archiving quotes and mottos for example from the field of philosophy or the aesthetics is to glue them onto a separate piece of paper. And then to archive them by the author’s name in alphabetical order. The result is a personal card index of ideas that can be useful in creation of other texts or speeches. Have you come across one? Apart from being practical in its accessibility and with clear arrangement it also satisfies the desire to collect and a certain fetishization of usurping selected ideas of other thinkers. The collection of collages by Ondřej Homola resembles this mental archive in a certain way only instead of texts it is pictures, graphics and photos that take the central stage. The author adds his own morally imploring commentary. In its unspecific genre categorization, it comes closest to a satire that mocks negative social phenomena and political conditions. Even though Ondřej Homola addresses current events, the collages include retro-nostalgic elements partly due to the aesthetics and partly in reference to the onetime popularity of drawn satire that used to be an internal part of every humor magazine and cultural revue especially in the first half of the 20th century. The two displayed Ondřej Homola’s collages were selected from his vast picture diary in which the author comments on the current social events, mixes cultural references and develops witty pictorial wordplays. The comparison with magazine illustrations is not very apt here, however. The diary exists – similarly to his atelier work that is typical for the author – “just for its own sake”. It is not dependent on instructions, on exhibition opportunities and other presentation offers. It is not a work for an institution and to a certain extent not even for his own career. Lockdown couldn’t stop it and in fact not even the lack of financial resources for art production. Atelier Island is a space for authentic and independent work which above all helps to cope with the real world.

COVID 19 / Entrance update 26.7. 2021 The Ministry of Health of the Czech Republic revoked the option to confirm one has undertaken a covid test at the place of employment by a declaration of honor. Visitors now must present a certificate on suffering cov

Curating Online - The show goes on? Media art festivals during COVID times

20. 10. - 21. 10. 2021

The global COVID-19 pandemic forced media art festivals to reconsider the established format of bringing art to people in a physical space and also drove them to an extensive use of the online setting. How did the well-established curatorial principals and methods of art festival organization change in reaction to COVID or rather in the post-COVID era? The goal of the symposium is to provide a space for a critical debate about the transformations that local and international art festivals went through in reaction to the radically changed conditions of social event organization.  

SPEAKERS:
Wednesday:
Lenka Hámošová & Michal Kučerák
Martin Pošta
Lucia Dubačová
Nela Klajbanová
 
Thursday:
Christl Baur
Klio Krajewska
Szymon Stemplewski

Ticha

Silences
Ladislav Mirvald
opening13. 8. 2021
13. 8. —  20. 9. 2021
Wall Galerie TIC, Radnická 4, Brno
 
BlackBox
#černáskříňka2020

Nothing could be more symbolical of the lockdown we all found ourselves in just yesterday and which comeback we are all begrudgingly expecting than silence. Its intensity is the more pronounced in spaces dedicated to social gatherings such as school auditoriums, churches, concert halls or music clubs. Those who gave lectures to empty auditoriums or witnessed concert halls with no music playing understand how riveting silence can be. Can it be recorded? What effect does the recording have on the listener? These questions must have been on Ladislav Mirvald’s mind when this artist, sound designer and a master in DIY, decided to conduct an acoustic research of silence. He managed to contribute to the vast field of visual art concerned with what is disappearing, what does not exist, with blind spots, unidentified spaces, with erasing. The archiving of silence by Ladislav Mirvalda is an exclusive project falling under the Black Box platform. It does not offer a visual experience yet still captures one of the basic cultural codes connected with images of the end of the world and catastrophic narratives. Silence. 

FRIDAY THE 13TH

False Vampires, Strangled Nightingales and Morning Awakeners 


We’ll guide you through the gloom of the exhibition “False Vampires, Strangled Nightingales and Morning Awakeners”. This exhibition with a meta-romantic title prepared by the collective Café Utopia together with Eva Rybářová is a reaction to the current visual and communication trends. In our talk, we’ll touch upon the uncertain future of cultural institutions in the post-covid era. We’ll remind ourselves that we are glad to be together. 


False Vampires, Strangled Nightingales and Morning Awakeners / Daniela and Linda Dostálková, Katarína Hládeková, Sára Bown Kasanová, Simona Koutná, Katarína Poliačiková, Jakub Ra, Eva Rybářová, Iveta Schovancová / Galerie U Dobrého pastýře
curator concept: Café Utopia, Eva Rybářová
exhibition architecture: Tomáš Svoboda

---------------------------------------------

Lecture: Barbory Trnkové
A part of the first exhibition in the App art cycle by the artist and curator Barbora Trnková is also a deeper theoretical reflection of the topic with a projection in the cinema room. 
Refreshments in the cafe in the backyard at Radnická 4.

COVID 19 / Entrance update 26.7. 2021

COVID 19 / Entrance update 26.7. 2021
The Ministry of Health of the Czech Republic revoked the option to confirm one has undertaken a covid test at the place of employment by a declaration of honor. Visitors now must present a certificate on suffering covid-19 in the past, certificate of vaccination or a negative test carried out at a specialized facility. 


Hence, visitors must meet at least one of these requirements:
1.    a certificate of completed vaccination (in case of two-dose vaccines) which had been completed 14 days prior or
2.    a certificate on suffering covid in the last 180 days or
3.    a certificate on a negative antigen testing result no older than 72 hours or on a negative PCR testing result not older than 7 days or
4.    a free self-test on the scene.
Declarations of honor are no longer accepted!
Thank you for your understanding that we also have to follow the orders set by the government of the Czech Republic.
We are looking forward to your visit.
Entrance fee: free
Opening hours: 18.00 – 24.00 h
Last entrance: 23.30 h

Brno Museum Night 2021

Current exhibitions
 
False Vampires, Strangled Nightingales and Morning Awekeners / Daniela and Linda Dostálková, Katarína Hládeková, Sára Bown Kasanová, Simona Koutná, Katarína Poliačiková, Jakub Ra, Eva Rybářová, Iveta Schovancová / Galerie U Dobrého pastýře
Dreaming about Work / subtitle For Loop Contingency / Filip Hauer / Galerie mladých
App Art/ Galerie Kontext
Polina Davydenko / #blackbox2020 / Galerie TIC facade
 
Side events: 
 
18.00 – 23.00 h / Bookshop 

There is a small bookshop with a reading room in Galerie TIC. It mainly offers books and magazines dedicated to visual art, including those published by Galerie TIC. It not only includes academic titles but also fiction. The selection is mostly curated, which means it is managed by a specific person or by a collective with a set taste and preferences. 

18.00 – 23.00 The gallery backyard
A stylish oasis of calm in the very center of Brno is welcoming you with a great deal of quality music. It will please your taste buds and will not forget to quench your thirst. There will be food, drinks, music. The complete progam will be published on our social medias and our web page www.galerie-tic.cz.
18:00 - 20:00 The gallery backyard / Workshop Clay! 
Do you spend time thinking with a cup of coffee in the morning? Do you really think about the mug you are holding? How was it created, who made it? Learn about the production process and try to make your own a potter’s wheel. It’s going to be a real ride!
 
20.30 – 22.30 h / Nukic Melisa / Dj
 
Melisa aka White aurA will provide an amazing musical atmosphere in the gallery backyard. This DJ is finally ready to leave her shell and present her music to the public, she will introduce a mystical ambient journey with a bit of pepper on top which she describes as a Journey through the Forest. 
 
18.00 – 23.30 Kino Art / Bat Cave cinema
Early evening in NoArt cinema, Radnická 4, Galerie TIC, prepared by Atelier video FaVU Brno. As part of the program there will be a special projection of films, videos and block of videos with guests.  The complete program will be published on our social medias and our web page www. galerie-tic.cz.

OPEN CALL FOR GALERIE MLADÝCH 2022

Galerie TIC is announcing an Open Call for exhibition projects for Galerie mladých for 2022.

If you wish to participate, please submit your filled in application along with the description of your project with visual documentation and author portfolio. Send your submission to hovezakova.galerietic@gmail.com until July 25, 2021. The results will be published on the gallery’s web and Facebook page by the end of August 2021 at the latest. Further information about the exhibition catalogue of Galerie mladých with photo documentation and an exhibition archive can be found on www.galerie-tic.cz

 The gallery offers:

  •  to cover financial costs in regard to the exhibition installation
  •  an artist/curator fee
  •  to collect and transport the exhibition
  •  basic PR (program printed material included)

 Content of application

  •  application form
  •  short description (recommended length 1 standard page) and visual documentation of the project
  •  artist/curatorial portfolio with your CV    

application

From Thumb to Little Finger

From Thumb to Little Finger
Polina davydenko
opening 1. 7. 2021
1. 7. —  9. 8. 2021
Facade Galerie TIC, Radnická 4, Brno
 
 
BlackBox
 #černáskříňka2020
 
 

During lockdown, some of us were meeting up in our homes, some were creating spontaneous coworker groups, some were visiting secretly open-operating pubs. Others scrupulously followed the guidelines and transferred their social life to the online space: studying, having fun, chatting, and procrastinating. Instead of commuting or taking walks outside, we were going back and forth between web pages and online meetings. Each break from these communication stereotypes and restrictions became so very important and hopeful. During the last year’s spring lockdown, Polina Davydenko gradually came to meet up with her friends. The meetings took place outside, in apartments or ateliers. A part of it all was also an imprint, a memory: she let everyone do one of her nails. The created micro paintings became a physical part of herself. Each author that contributed to this private collection going through gradual destruction was given a piece of the stipend awarded to the author by Galerie TIC for the Black Box project. During the second wave of lockdown Polina created a video at the initiative of Galerie TIC, in which she reflects memories of those meetings. Screen captures of that video are exhibited on the building’s façade.

 
 
 
 
 

Don’t Be Afraid and Don’t Cry

Don’t Be Afraid and Don’t Cry
Johana Merta
vernissage 12.5. 2021
12.5. 2021 – 28.6. 2021
Galerie TIC facade, Radnická 4, Brno

BlackBox
#blackbox2020

DON’T BE AFRAID AND DON’T CRY is first and foremost my personal motto.

It entered the mainstream only just now, in times of a viral threat to the public. The end of 2019, when I was residing in the Moravian countryside, was in our family a time of relative peace, even though we resented wood logging going on in the surrounding forests. Discussing the spiritual ownership of land and talking about experiencing “our” loss with people close to me helped me to cope with the disappearing landscape. The desire to take action by captioning the piled-up “razed wall” we were passing by every single day with DON’T CRY. I have always wanted to do graffiti, but I did not know what I wanted to write, what I wanted to say and also, I did not like running and I was a wimp! But I grew out of that fear and for the first time I felt that the message I wanted to write made sense transcending not only authorship but also punishment, which might result from my vandalism. 

In the time of global fear, Galerie TIC’s Black Box challenge was mainly a work with emotions for me, I had to identify what was I dealing with and if it were emotion then how to share it. Free from emotional instability and downturn. What arose in me was the need to deal with this issue rather locally and so the second part of the message was created: DON’T BE AFRAID. Christians are familiar with this sentence due to its presence in the Bible (365 times). But this comforting command applies to during pandemics no matter their religion. I sent the finished voice recording of a preacher and actress, Rozita Mertová, by e-mail to friends and even to distant representatives of municipalities and cities saying that it is now theirs to use as they please. In most cases, they did not even reply. 

I was trying and I am still trying to pass this message on, perhaps not fittingly, perhaps to someone who does not even exist. It is also very well possible I managed to indirectly reach many more people than what I am able to work out. In any case, my motto has changed during the pandemic. 

Now it is: DON’T BE AFRAID, YOU CAN CRY.
Interview with the author
Interviewed by Katarína Hládeková
audio editing: Dana Balážová
Song list: Johana Merta

Inner Parts of Elements

The project Inner Parts of Elements is part of a group art research study under the name Black Box, which has begun with strict quarantine restrictions and closing of the Czech borders in spring 2020. The author focuses on the observation of inner processes reacting to outside events. Thanks to the restrictions, Juliana returned to painting and drawing which she had originally studied. Drawing and later painting granted Juliana a purposeful perspective in this current global vacuum. 


Daily documentation progressively subsided and that is thanks to the fact that Juliana moved from the city to a partially secluded place in Krkonoše. This new environment became the leading source of inspiration for her digital paintings. The original need for a fast documentation gradually changes and links up with the pace of nature where there are four seasons in our climate and where we are not attacked every second by a plethora of new challenges and impulses. On the contrary, there emerges a new space for a deeper consideration or observation thinking, as well, on a wider scale of the universe. 


The current pair of digital paintings evocative of the planet Mars was created on the background of a photo archive of diverse natural structures which the author collects outside and later processes using digital technologies. Structures and systems, as we know them, are smudged, rubbed and carved out and later transformed into structures and new, abstracts bonds. The author explores the intuitive creation of future visions that are ambiguous, and it is uncertain whether it even presupposes the existence of the human race. The paintings narrowly coincide with her longtime interest in people and the environment in the context of the ongoing environmental crisis.


Interview with the author
Interviewed by Zuzana Janečková
Audio editing: Dana Balážová
Song list: Juliana Höschlová


The second episode of the Černá skříňka (Black Box) podcast is dedicated to the project “Inner Parts of Elements” by Juliana Höschlová. It is almost an hour long which is twice as long as the usual length. This distinction signals an attempt to “slowdown” which is what is Juliana trying to do right now. She moved to a village Bratrouchov in the eastern part of the Giant Mountains (Krkonoše) and single-handedly (along with her boyfriend and a dog) increased its population from seven to ten. She currently focuses on digital painting, work with textiles and she is also considering building a small community and residential center. 

Brno Art Week 2021


BRNO ART WEEK 2021
 
•    Nothing can stop Brno Art Week. Not even a global pandemic!
•    The galleries of Brno and art schools once again came together and we’re holding a festival that strives to bring together the Brno art scene – galleries, artists, and audience – which is an especially pressing matter these days.
•    The majority of programs will probably take place online on our YT channel but perhaps the epidemiologic situation will allow us to do some “fieldwork”.
•    You can look forward to the well-known format of tracing, long videos on the Brno graffiti scene and about the fashion designer, Dominika Kozáková, urban legends about each gallery, symposium about digital curating and, of course, your favorite art warm up exercises won’t be missing!
•    Off-line program will be adjusted depending on the current situation.
•    Stay tuned!
•    19. – 25. 4. 2021
•    12th year of BRNO ART WEEK
•    Organizers: TIC Brno and Masaryk University
•    Financial support: statutory city of Brno and the Ministry of Culture of the Czech Republic 
---------------------------------------------------------
 
Brno Art Week 2021 / CURATING ONLINE
 
Brno Art Week 2021
CURATING ONLINE

Transition of art institutions online. The loss of institutional aura?

21. 4. 2021 starting at 16 pm.
22. 4. 2021 starting at 17 pm.
online – Youtube Brno Art Week + stream on FB
 
 SPEAKERS:
Wednesday:
Karina Kottová
Marek Pokorný
Michal Novotný
Tomáš Hrůza
 
 Thursday:
Marialaura Ghidini
Gaia Tedone
 
The current pandemic situation forces us to think in greater depth about the presentation and distribution of art to new, so far not well-explored, spheres of the virtual environment provided by the World Wide Web network platforms. In the context of changes of art production, distribution, and presentation, it is on one hand important to consider the changing role of curators in regard to the transition of art presentation exclusively to the online space, and on the other hand to consider the properties and assumptions that characterize virtual art presentation. To what extent is this default exhibition format different, or rather similar, to exhibitions in traditional galleries? How do well-established curator principles and methods translate into the online space? What are the specifics of online communication with visitors of festivals or exhibitions taking place in virtual environment? We are entering a second year of the global COVID-19 pandemic during which museums and galleries, but also media art festivals, had to reevaluate their approach towards well-established systems of art mediation. The symposium’s goal is to confront and evaluate different strategies of art and culture mediation that cultural institutions in this particular regime employed, rejected, or articulated in possible scenarios for the new era. 
The symposium is a part of the Brno Art Week 2021 program as a collaboration of Galerie TIC Brno and the TIM program (Theory of Interactive Media) under the Faculty of Arts (Masaryk University) and it is a part of the Black Box / Černá skříňka project. It is co-financed with state support of the Technology Agency of the Czech Republic under the program ÉTA.

CLAN OF TWO HORSES

2. 2. 2021, 16. 2. 2021, 2. 3. 2021


Moments when art leaves the gallery are repeated in art history. Until now, the main motivation was the need of the art scene to defy the power and special restrictions of exhibition institutions; to experience creative freedom and confrontation with wider audience. The corona crisis became an unexpected impulse to re-ignite it to move closer to the public. It might be expected that more artists and galleries will share this perspective but in the age of online platforms, where the majority of culture programs has moved to, the offline relocation is an exception. That, however, does not mean it is unnecessary. Rather the opposite. That is also why the curators of Galerie TIC decided to let the art permeate through the wall and carry it from the gallery’s interior to the exterior facade. During February and March, it will gradually come to show a painted trilogy by Markéta Filipová. A complex of six paintings is designed as three painted diptychs and it is a part of the project “Black box”, which focuses on new presentations of gallery practice, which are not necessarily linked to the holding of exhibitions, and searches for current possibilities how to support the formation of live art and to how present it on to the public.

Guided walk around the Vlněna area

6. 10. 2020, 17:00

The accompanying program to the exibition od Mr. Šťovíček's Gallery as a part of the Core & Shapes cycle will take visitors to the former Vlněna factory complex, where an office complex is currently being build. The gallery itself should be remembered by its intiators Michale Dašková and Oldřich Morys and personally by Mr. Šťovíček - the last original employee of Vlněna - According to whom the gallery got its name. However, the thematic dispersion of the discussion will be wider - from the issue of dealing with industrial heritage to the social impact of gentrification.

 

Conditional Constructions II.: Still Live (Natural Painters)

04. 08. 2020


Tomáš Moravanský


A part of the vernissage is a movement composition directed by Tomáš Moravanský. It is the second of his series of performative interventions under the name of “Conditional Constructions” prepared by him for this year’s Galerie TIC exhibition program. “Conditional Constructions II: Still Live (Natural Painters)” deals with the expression of individuality when the prerequisite for success is to exclude one’s subjective decision.  

Conditional Constructions I: INTERPELLATION

18. 2. 2020

Tomáš Moravanský

Interpretation: Miriam Budzáková, Simona Štangová, Nikola Majtanová, Barbora Janáková

We may be exposed to interpellation at any time and under any circumstances, even if we believe that we
are outside of the ideology, we are in fact in its core. Let's imagine a walking individual. Somewhere
(commonly from behind their back) can be heard an interpellation, “Hey, you over there!”. One of the
individuals (in 90 % of cases it is the subject of the interpellation) will turn, because they believe, guess,
or know, that it is regarding them and therefore acknowledge that they are subject of the interpellation.
Existence of ideology and interpellation of individuals as subjects is one and the same thing.
Series of sequential happenings, situated into the TIC Gallery directed by Tomáš Moravanský
(INSTITUT INSTITUT) uncovers interpellative forces of ideology, in the reflection of movement
and interaction, in everyday, work or social, programmed forms. It takes the choreography
defined as a system of power control over the human body in activities, that are in society
considered to be expression of freedom and individualism. It works with a register of civil
movements, not falling into dance category, but can be its starting material. Conditional
Constructions I, II, III, IIII are four conditional shapes, physical compositions, performances intervening
into the space of gallery according to its current layout. CC refer to the set of interconnected gallery
projects, object installations, performances and short films under title STILL LIVE, in which Moravanský
explores and works with the topic of day-to-day life, psychology of movements, intellectual property and
culture of individualism in connection with phenomenology.,

Dancing and moving composition INTERPELLATION, that is part of the first episode of four-
episode series of performative interventions titled Conditional Constructions, continues in same
evening with opening of author's other standalone exhibition STILL LEFT in G99 Gallery in Dom
Páně z Kunštátu (beginning in G99 Gallery at 18:00).

Cores and Shapes

Galerii KonText – 2020

Guest curator, who will cover the programme of the KonText gallery for 2020 is Šimon Kadlčák. In his exhibition concept Cores and Shapes, he will build on the KonText programme from 2017 and 2018, when the Kontext was managed by representatives of alternative „showcase“ exhibition spaces – curatorial teams of Gallery Art in Brno and Showcase Gallery Deniska in Olomouc. Concept for 2020 in a sense finalises this lineage by introducing several selected showcase galleries, which existed in Brno (or on occasion still exist) in a series of five exhibitions. In fact, in 2013 – 2019 Šimon Kadlčák was one of the curators of independent gallery Umakart, one of the most significant local galleries in this category.

Concept of gallery in non-standard exhibition spaces experienced its boom in Czech context around 2010. In that time, many distinct indepent do-it-yourself galleries have been emerging throughout the country, sharing a specific set of common characteristics: the exhibitions took place in showcases, vitrines, but also in wallets, toilets or fridges. Most of the galleries were in the exterior. Viewers couldn't enter the galleries, they could only look at them from the outside. “The organisers” and curators were commonly students of art schools. Important element was therefore the community aspect of meetings on streets with tasting of cheap wines from old mugs from bazaars.
Nowadays, the trend of showcase galleries is rather declining. The Cores and Shapes is therefore „an archeological probe“ monitoring the state and changes of this trend (and overall local scene) approximately from 2008 until now. The final presentation of individual exhibitions will always be formed in cooperation with organisators and curators, who were at that time in charge of these galleries and gave them their character.

Curator: Šimon Kaldčák

That object resembles a raft with a sail

7. 8. – 7. 9. 2019, Adam Heyduk

The installation in the courtyard of Radnická 4 by Adam Heyduk, a Sculpture Studio student at the
Faculty of Fine Arts in Brno, combines the dimensions of an object and sound. The object uses the
fundamental principles of support, where the steel strings are erected as a structural component and
connected to the supporting element. Yet the strings still retain the original property for which they
were created, that being sound. This property cooperates with the glass, which is also placed in a
different position and acts as a sounding board. The angle closing the glass pane and the base follows
the inclination of the columns in the atrium. The essence of the object, which is a mix between a
sculpture and musical instrument, is the placement of its elements in unusual positions, thereby
distorting the original meaning of the object and creating tension between the original and new
properties of the material. In this way, the object becomes temporary and insecure in its own
existence. The exhibition loosely reflects numerous sculptural presentations that were held in the
courtyard in the 1990s.

In The Garden at Vanek’s

13. 7. 2019    
Collateral program of an exhibition …when ceramics was not cool yet, linked with the exhibition Brno Art Open 2019
The house of Vaneks’ in Bratislava residential neighborhood Koliba is surrounded by a garden. The intended park with author’s ceramics artifacts has turned with time into a green jungle. Collateral program of an exhibition …when ceramics was not cool yet is an expedition, community charity work, and rescue as well as cleansing activity all at once. The event should free the garden of self-seeded trees, literally archaeologically drag out into the light the ceramics artifacts hidden in the greenery, and prepare the premises for the work of a landscape architect. The organizers have nothing against a picnic and debates about the work and life of Imrich Vanek. More details will be published on the web page and facebook page of the gallery.

Andrea Demek / Sochařská laboratoř (Sculpting laboratory)

12-05-2019 — 15:00 – 17:00


Kabinet — Galerie TIC
Andrea Demek / Sochařská laboratoř (Sculpting
laboratory)


With mirrors and laser light, we will learn how
to use the space in historical architecture. We will create
installations or models using materials, such as ropes,
yarns, tapes and boards. From 3 – 99 years.

INTERREGNUM

The Interregnum project of New Media I Studio of The Academy of Fine Arts Prague see modern times
as a period of interim governance, when the old ends and the new is not yet established. And it ́s
indifferent, whether we talk about structure of society, ways of communication or function and
presentation of visual art. Film can be perceived also as a manifest, which concisely and directly finds a
way out of contemporary medial and also ideological chaos.

Launch of Katerina ́s book