The final part of the We Are Living in Society series replaces the Kenyans of the far-right aesthetic of the Make America Great Again movement with icons of local Barbieland. The appropriation of national means of expression is not only meant to directly advance an emancipatory message, but it wonders if the fringe currents of the dreamy virtue signalling of movements fighting for equality can be charged with the same charges as toxic hypermasculinity. Identity politics on a knife-edge. I can't hear you, can I?
